It's a material world

Sep 15 - Nov 5, 2023
  • It's a material world

  • The group exhibition “It’s a material world” showcases a selection of works by five contemporary artists who are exploring the use of diverse materials in their art. From traditional techniques like oil on canvas to more unconventional materials like found objects or palladium leaf, these artists are pushing the boundaries of what is possible in contemporary art. The exhibition highlights the renaissance of multimedia artists who are combining multiple techniques within their oeuvre. The works create immersive experiences, that engage the viewer on multiple levels and help them gain a deeper understanding of how materials can be used to create new forms of expression.

  • Constanza Camila Kramer Garfias, Xibalbá Level 1, 2022

    Constanza Camila Kramer Garfias

    Xibalbá Level 1, 2022
    Tufting (Wool/Acryl, Piattina-yarn), metal eyelets
    102 x 95 x 6 cm
  • Constanza Camila Kramer Garfias, Xibalbá Level 2, 2022

    Constanza Camila Kramer Garfias

    Xibalbá Level 2, 2022
    Tufting (Wool/Acryl, Piattina-yarn), metal eyelets
    165 x 128 x 5 cm
    • Constanza Camila Kramer Garfias Bye Bye Two, 2023, photo credit Maximilian Geuter
      Constanza Camila Kramer Garfias, Bye Bye Two, 2023
    • Constanza Camila Kramer Garfias, Melting away, 2021, Jacquardweave, stretcher frame, 90 x 120 x 6 cm, photo credit Maximilian Geuer
      Constanza Camila Kramer Garfias, Melting away, 2021
  • The selected artists gather examples of the almost infinite possibilities of materials and techniques while stretching the definition of art. The visitors are greeted by a large textile work by Constanza Camila Kramer Garfias, who critically examines the historical context of fabrics, and takes textiles to their limits, both as a medium and a subject.

     

    I have always been fascinated by everything that has to do with textiles. The history of textiles is almost as old as that of man. Fabrics must have existed as early as the Stone Age. Textiles have evolved in many directions since then. This brings with it an incredible wealth of craft techniques and cultural heritage. Constanza Camila Kramer Garfias, 2022   

     

    click here to learn more about Constanza camila kramer garfias

  • Bob Geerts aka Bobeus merges the worlds of tattoos and paintings recognizing their underlying similarities while celebrating their distinctiveness and creating an arresting visual narrative.

     

    The juxtaposition of brightness with melancholy, round shapes with sharp lines, and manipulated proportions all converge to create an arresting and resonant visual narrative. Bob Geerts art extends an invitation to embark on a captivating journey, where the tales of old intertwine with the unfettered realm of the imagination. Bob Geerts, 2023 

     

    click here to learn more about bob geerts

    • stephanie mei huang, copper elegy ii, 2022
      stephanie mei huang, copper elegy ii, 2022
    • stephanie mei huang, copper elegy iii, 2022
      stephanie mei huang, copper elegy iii, 2022
    • stephanie mei huang, copper elegy iv, 2022
      stephanie mei huang, copper elegy iv, 2022
    • stephanie mei huang, rope elegy, 2022
      stephanie mei huang, rope elegy, 2022
  • stephanie mei huang, neither donkey nor horse i, 2020

    stephanie mei huang

    neither donkey nor horse i, 2020
    Carousel horse, windshield wiper motor, resin, steel rod, bondo, adjustable 12v DC power supply, epoxy, wood, oil paint, polyurethane resin
    30 x 25 x 14 in
    76.2 x 63.5 x 35.6 cm
  • stephanie mei huang, green requiem for my self ii, 2022

    stephanie mei huang

    green requiem for my self ii, 2022
    Oil on canvas
    60 x 50 in
    152.4 x 127 cm
    • stephanie mei huang, how to paint a rocking horse, 2020
      stephanie mei huang, how to paint a rocking horse, 2020
    • stephanie mei huang, how are you (after Adrian Piper) ii, 2021
      stephanie mei huang, how are you (after Adrian Piper) ii, 2021
  • As a Chinese American artist, I dialogue with and challenge the affective racialized, gendered constructions that codify my body and identity as harmless and nonthreatening within the hegemonic West. I am interested in how my presence has the capacity to disarrange systems of prediction based upon otherness and threat. - stephanie mei huang, 2022

     

    click here to learn more about stephanie mei huang

  • Tanya Ling, Chicken / Moth barge section, 2019

    Tanya Ling

    Chicken / Moth barge section, 2019
    Household emulsion paint, cut box, grouting, ceramic tile putty mounted on wooden artist’s paint pallet
    25 5/8 x 21 5/8 x 7 1/8 in
    65 x 55 x 18 cm
    • Tanya Ling, Stoned Love 10, 2018, photo credit Maximilian Geuter
      Tanya Ling, Stoned Love 10, 2018
    • Tanya Ling, Line Painting (02886), 2015, photo credit Maximilian Geuter
      Tanya Ling, Line Painting (02886), 2015
  • Tanya Ling is an artist whose career has traversed both the Fashion Industry and Art World. 

    She studied at Central Saint Martin’s and worked in Paris as a designer before returning to London to start an art gallery with her husband William Ling. She has made fashion drawings for numerous clients including Selfridges, Louis Vuitton and Vogue and designed/produced her own ready-to-wear collection.

     

    click here to learn more about tanya ling

  • Kiki Smith, Untitled, 1995

    Kiki Smith

    Untitled, 1995
    palladium leaf on silicon bronze
    48 3/4 x 16 1/4 x 11 1/4 in
    123,8 x 41,3 x 28,6 cm
  • I trust my work. It´s a collaboration with the material, and when it´s viewed, it´s a collaboration with the world. – Kiki Smith

     

    She is a German-born American artist whose work deals with bodily themes, abjection, and sexuality. Smith attended the Hartford Art School in Connecticut before moving to New York City in the 1980s, where she became an active member in the East Village art scene. 

     

    click here to learn more about kiki smith