Thinking out loud

Nov 19 - Dec 23, 2021
  • thinking out loud

     

    Agnes Grochulska, Portrait with Aquamarine Outline, 2020.
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    A potpourri of diverse, international and versatile artists who keep the contemporary art world in excitement, the group exhibition THINKING OUT LOUD features a selection of works by 11 outstanding artists: Noah Becker, Agnes Grochulska, Gregory de la Haba, Gao Hang, Rhiannon Inman-Simpson, Royal Jarmon, Justine Otto, Richard Roth, Tracey Snelling, Houda Terjuman and Jordan West.

    The exhibition operates in a field of tension between different materials, styles and artist personalities focusing on current socio-cultural issues.

  • Agnes Grochulska and Tracey Snelling

    A view through the human skin and the concrete shell

     

    IN SEARCH OF FEELINGS AND THOUGHTS THAT CAN ONLY BE MADE VISIBLE ON CANVAS, AGNES GROCHULSKA’S ARTWORKS OFFER A GLIMPSE INTO THE HUMAN INNER LIFE, THAT IS HIDDEN BEHIND A FLESHY WALL. THESE PORTRAITS OFFER AN ARTISTIC FUSION OF BODY AND SPIRIT, USING A BEAUTIFUL IMPASTO TECHNIQUE, HIGH-CONTRAST AND FRAGMENTED OIL PAINT APPLICATION. THE MODELED FACES ACT LIKE MIRRORS FOR THE SOUL. HER PORTRAITS ARE PRECISELY EXECUTED COLOR STUDIES AND THEY ALSO REPRESENT PSYCHOLOGICAL STUDIES IN WHICH THE SITTER’S FEELINGS HAVE BEEN CAPTURED.

    Tracey Snelling’s monumental sculptures and installations provide sociological studies of places at a specific time in history. Snelling combines music, lights, and videos in her works - creating a precisely elaborated microcosm that unfolds within a room.

    • Agnes Grochulska, Portrait with Aquamarine Outline, 2020
      Agnes Grochulska, Portrait with Aquamarine Outline, 2020
    • Tracey Snelling, Shanghai/Chongqing Hot Pot/Mixtape Building, 2019
      Tracey Snelling, Shanghai/Chongqing Hot Pot/Mixtape Building, 2019
    • Agnes Grochulska, It Looks How It Feels #1, 2020
      Agnes Grochulska, It Looks How It Feels #1, 2020
    • Tracey Snelling, BIG FUCK, 2020
      Tracey Snelling, BIG FUCK, 2020
  • Gregory de la Haba and Gao Hang

    the juxtaposition of two diverging painting techniques and the new representation of the human body

     

    Gregory de la Haba works in a precise, naturalistic manner, one that could be attributed to the Old Masters, but through an unorthodox theme and controversial elements in his art, he reveals himself as a contemporary artist. With his still life, Gregory de la Haba sets the idea of a memento mori in order to interpret themes such as femininity and spirituality in a controversial way.

    Gao Hang’s figures, whose almost geometrical shapes boarder on the abstract, question the excessive use of social media within his generation and the current urge for self-representation.

    • Gregory de la Haba, Natalie White as Agnes Dei, 2014
      Gregory de la Haba, Natalie White as Agnes Dei, 2014
    • Gao Hang, Auto tune, 2020
      Gao Hang, Auto tune, 2020
    • Gao Hang, Proud to be an American, 2020
      Gao Hang, Proud to be an American, 2020
  • Justine Otto and Rhiannon Inman-Simpson

    the visual dance between the abstract and the figurative

     

    Through their multi-layered painting technique, Justine Otto's paintings appear like excerpts from a dream, apparitions, and fabulous scenes enclosed in an imaginative atmospheric landscape. The artist uses pastel-colored contrasts which, due to their strong fragmentation, make the entire pictorial appearance similar to a collage-like painting.

    Rhiannon Inman-Simpson’s works are abstract paintings that contain highly artistic color studies: large color areas that alternately reveal structures and patterns. These are complex compositions that are witness to a skillful understanding of color – colors that perform a balanced dance on the surface.

    • Justine Otto, Atlanta (Dog Singer), 2020
      Justine Otto, Atlanta (Dog Singer), 2020
    • Justine Otto, Based on a true story, 2019
      Justine Otto, Based on a true story, 2019
    • Rhiannon Inman-Simpson, A cold bite, 2021
      Rhiannon Inman-Simpson, A cold bite, 2021
    • Rhiannon Inman-Simpson, Below a shifting minute, 2021
      Rhiannon Inman-Simpson, Below a shifting minute, 2021
  • Royal Jarmon, Richard Roth and Houda Terjuman

    3D shapes and forms that gradually become autonomous

     

     

    The American artist Royal Jarmon transforms geographical and natural elements into independent, shape-shifted, and redefined motifs. His art disposes of the traditional ideas of painting, combining street art with stylized painting.

    Richard Roth’s artworks are 3D paintings that are not only autonomous forms, but also display patterns and structures taken from West African fabric patterns, Zulu baskets, Navajo blankets, and early American quilts. These two-dimensional patterns when painted on 3D forms offer a sensational relationship with the reality - revealing a skillful play between object and painting.

    Houda Terjuman offers an approach to the entanglements of feelings that arise from emigration and the challenges of finding a new home. The artist presents small-format and detailed sculptures that reveal a pronounced sense of exclusion, nostalgia, and search for identity.

    • Royal Jarmon, Big Lit, 2021
      Royal Jarmon, Big Lit, 2021
    • Richard Roth, Bada Bing, 2021
      Richard Roth, Bada Bing, 2021
    • Richard Roth, One Size Fits All, 2021
      Richard Roth, One Size Fits All, 2021
    • Richard Roth, Testa Rosa 3, 2021
      Richard Roth, Testa Rosa 3, 2021
    • Houda Terjuman, Uprooted Home, 2021
      Houda Terjuman, Uprooted Home, 2021
    • Houda Terjuman, Uprooted Palm, 2021
      Houda Terjuman, Uprooted Palm, 2021
  • Noah Becker and Jordan West


     

     

    Noah Becker deals with socially critical themes hinting at topics such as ephemerality, addiction, and irony. In his paintings he combines stylized figures and street art elements within a surreal landscape in a socio-critical waY.

    Jordan West brings the idea of the fleeting moment into his painting and gives it a significant role. These paintings are simulacra that serve to create and to visually capture impressions of the sublime, isolation, dreams, memories, and visions - an extremely skillful play with reality.

     

    • Noah Becker, The Prodigal Son, 2020
      Noah Becker, The Prodigal Son, 2020
    • Jordan West, Catalogue of Memories, 2016
      Jordan West, Catalogue of Memories, 2016
    • Jordan West, Catalogue of Memories (Oil), 2021
      Jordan West, Catalogue of Memories (Oil), 2021
    • Jordan West, Tires #2, 2018
      Jordan West, Tires #2, 2018
  • FLASHING NEON LIGHTS, DREAMLIKE LANDSCAPES, AND STRIKING FACES. THE WORKS ARE SHOWN TOGETHER IN A CHALLENGING AND INSPIRING BLEND THAT IS EAGER TO BE DISCOVERED AND ALLOW THE VIEWER TO SEE A REFLEXION OF OUR CURRENT ZEITGEIST THROUGH CLEAR ARTISTIC PERSPECTIVES.