![Jon Groom, BETWEEN THE LIGHT #8/3, 2003](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/pulpogallery/images/view/b531feb0f9d38dc88eb22a3d64e8f15fj/pulpogallery-jon-groom-between-the-light-8-3-2003.jpg)
![Jon Groom, BETWEEN THE LIGHT #8/3, 2003](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/pulpogallery/images/view/db1a9616c00198ffd6bec8608670165aj/pulpogallery-jon-groom-between-the-light-8-3-2003.jpg)
![Jon Groom, BETWEEN THE LIGHT #8/3, 2003](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/pulpogallery/images/view/560c68fbb9772e6d19237a7f74c16074j/pulpogallery-jon-groom-between-the-light-8-3-2003.jpg)
Jon Groom
82 5/8 x 70 7/8 x 2 3/8 in
Weitere Abbildungen
Jon Grooms series, his juxtapositions and confrontations are like vaious painterly experimental set-ups whose course viewers can follow. They often seem to be like repetitions from an inner main melody; after all. Jon Groom has said that he wanted to bring the spirituality of a Mark Rothko together with with Sol LeWitt's straightforward idea of a self-multiplying rectangle or cube.