stephanie mei huang

Los Angeles, May 23, 2023 stephanie mei huang's work 'requiem for my self iii' from 2022 will be on view during the exhibition called '...

The current exhibition at Eli Klein Gallery in New York called 'With Her Voice, Penetrate Earth’s Floor’ was featured in The New York Times. The journalist Jillian Steinhauer writes: "Curated by stephanie mei huang, it honors Lee with an altar of offerings below her painting and creates a space of mourning for Asian American and Pacific Islander women."

In the South China Morning Post, the journalist Danielle Wu reports about the exhibition “With Her Voice, Penetrate Earth’s Floor" at Eli Klein Gallery in New York. This exhibition was curated by the artist stephanie mei huang, a close friend of Christina Yuna Lee.

The group exhibition "with her voice, penetrate earth's floor"⁠ on view at the Eli Klein Gallery in New York is spotlighted in the newest CNN Article written by the journalist Harmeet Kaur. Kaur's article was also published by the Madison365, operated by 365 Media Foundation, a nonprofit organization based in Madison, Wisconsin.

On February 13, 2022, the artist Christina Yuna Lee was followed into her apartment in New York’s Chinatown and murdered. stephanie mei huang decided to curate the group exhibition “with her voice, penetrate earth’s floor” which will both mourn Lee’s death and commemorate her presence in the art world.

The editor Sam Gaskin wrote for the OCULA MAgazine an article on the newest exhibition featured at the Eli Klein Gallery in New York. The Gallery will present a group exhibition curated by stephanie mei huang, to remember Christina Yuna Lee, who worked at the gallery from 2010 to 2014. Lee was murdered in her apartment on 13 February 2022.

The editor Harley Wong describes in his newest article " A moving new exhibition pays tribute to Christina Yuna Lee's start in the art world" published on artsy.com the current exhibition curated by stephanie mei huang.

The upcoming group exhibition "with her voice, penetrate earth's floor"⁠ in memory of Christina Yuna Lee, is on view from April 13 until June 5 2022. Artists:⁠ Kelly Akashi, Patty Chang, stephanie mei huang, Christina Yuna Lee, Maia Ruth Lee, Candice Lin, Astria Suparak, Hồng-Ân Trương, Haena Yoo⁠

Rerouting is an exhibition with artworks of 12 artists from around the world. They create based on new modes of artistic practice, collaboration, and pandemic responses. Rerouting presents sculpture, performance, and social practice and showcases alternative approaches that the artists make during periods of containment and isolation.

The interdisciplinary artist stephanie mei huang received an Emergency Grant given by the Foundation for Contemporary Arts to exhibit her work the foul lump in my throat at 4th Ward Project Space, Chicago USA.

curate.la discusses stephanie mei huang: (self-portraits) as neither donkey nor horse at Hauser & Wirth: In the wake of the 2021 Atlanta Spa Shootings, huang’s work addresses biopolitical and xenophobic rhetoric that finds its roots in19th century “yellow peril” and then becomes regurgitated and expanded upon in a 21st century anti-Chinese discourse surrounding Covid-19. huang counters/engages with this discourse with domesticized objects of play: play as drag/dress-up, domestication as colonization, animacies as hierichichalized bodies, miniaturization and infantilization of cowboy culture. As a power reversal, huang miniaturizes the very mythologies and institutions that threaten to diminish their body.

office space is proud to announce self-armature which is stephanie mei huang’s debut hybrid physical/online solo show at office space within the chettinad house space located in downtown salt lake city. the gallery presents the artist’s series of six complex pieces of video art both in the gallery space as a looped series of videos on a computer as well as here on the online platform for a wider audience.

SHEER Worldwide, a safe space for creative women and non-binary people of color to express and celebrate ourselves authentically features stephanie mei huang in their Asian and Pacific Islander Heritage Month 4 ARTISTS YOU NEED TO KNOW alongside Jocelyn Tsaih, Stephanie Syjuco and Valery Jung Estabrook.

Artsy's latest editorial addresses the recent spike in racially motivated attacks against Asians in the United States. Throughout U.S. history, Asians have been "used as scapegoats, from the whitewashing of railroad construction to Japanese internment to the murder of Vincent Chin to the "China virus" - all the while being labeled the "model minority".

stephanie mei huang features in a recent interview for VoyageLA. When questioned about her early life which saw her move from Wisconsin to Indiana, then to Yohoama, Japan, and to Shanghai, China, all within the first six years of her life, huang responded:

stephanie mei huang reviews the second annual iteration of Womxn in Windows which includes Everlane Moraes' Aurora (2018), Ja'Tovia Gary's An Ecstatic Experience (2015) and The Prophetess (2018) by Sylvie Weber:

Patrick Michael Ballard, who sees his art in the context of a broad cultural milieux, one that seeks collaboration across not only artistic mediums but also the fields of game theory and development, design, education, public speaking, neuroscience, and social practice, invited stephanie mei huang to collaborate and participate in Fool's Window, an ongoing immersive game and theatrical environment staged for individuals to explore.

Split into four prepositional categories BETWEEN, WITHIN, OUTSIDE and AROUND, stephanie mei huang features on the OUTSIDE panel. Topics she covers include untangling the drama she exposed herself to so directly by living in Marfa for two and a half years as the only full time resident of Asian descent as well as the simultanous desire for that which you are not supposed to desire being at he heart of racial melancholia.

Art critic Lori Waxman took the opportunity to review work by artists whose practice has been affected by the COVID pandemic. Discussing stephanie mei huang's latest multimedia body of work in her 60wrd/min COVID edition, Waxman wrote:

Elisa Wouk Almino discusses stephanie mei huang's hope of creating a "space of solidarity" for Asian women through a panel titled "hyper(in)visibility."

In a recent blog post for 24700 - News From California Institute Of The Arts Christine N. Ziemba discusses HYPER(IN)VISIBILITY, an online panel discussion organized by CalArts graduate stephanie mei huang (Art MFA 2020) which will feature six Asian women artists and discuss how the "yellow woman's body, historically rendered either invisible or as 'object,' is now catapulted into hypervisibility amidst xenophobic questions of contagion, virility, and a history of scapegoatism."

stephanie mei huang was interviewed for Urban-Wild issue eight: "My practice concerns itself with critical scripts of notions around authority, expansionism, exceptionalism and their subsequent consequences: erasure, displacement, and violence. Through research and practice, I examine the arbitrariness of the distribution of state power and the constructed narratives and fallible paradigms that uphold such power. Traversing territories of confrontation, my practice visualizes systems of control and erodes the violent mythologies that perpetuate settler colonial narratives, in the hopes of excavating partial, erased, and forgotten histories."