Felicidad Moreno, Untitled (A14/21), 2021
During the last years, my main interest when I´m painting is to let the painting have its own autonomy. I intenionally let it slide and follow its own course and I intervene directing the dircetion in which the painting falls, moving the painting from one side to another, like a kind of a dance. - Felicidad Moreno, 2022
Felicidad Moreno`s work focuses on abstraction based on color and matter and moves between geometry and gesture. She belongs to the generation of painters born around 1960 who began to show their works in the mid-eighties, a time when there was a revision of expressionist abstraction. In Moreno`s pictorial language forms of intimate, feminine and gender resonance coexist with chromatic gestures, vegetal motifs and strict geometry, the latter often being of linear character, developed in knots or rhizomes, circular or spiral and understood as repetitive units. She transforms her own pictorial production into a simulacrum by using the digital image and the canvas support, translating her paintings into liquified forms and spirals of a kinetic character.