My core skill as an artist is to capture the essence of time and place, engaging with my surroundings and merging its residents, localities and atmospheric peculiarities into my work. By exploring the immediate environment, studying every detail and extracting specific highlights, I transform the information into artworks, best described as 3-D non-linear sculptural films. - Tracey Snelling, 2021
Using sculpture, photography, video, and large-scale installation, Tracey Snelling gives her impression of a place, its people and their experience. Often, the cinematic image stands in for real life as it plays out behind windows in the buildings, sometimes creating a sense of mystery, other times stressing the mundane. Snelling’s work derives from voyeurism, film noir, and geographical and architectural location. Within this idea of location, themes develop that transport observation into the realm of storytelling, with reality and sociological study being the focus.